ChrisChrl

WOLFF ON COMPOSITION

Ernesto Livon-Grosman surynorth productions

77 min, DCP, 2022

This rare document of composer Christian Wolff (b. 1934)—a key figure in the history of American experimental music—traverses the compositional terrain of the youngest member of the New York School who brought the I Ching to Cage and would develop his own radical take on indeterminacy in music. Featuring interviews with Wolff as well as fellow experimental musicians and composers Michael Pisaro, Nicolas Collins, Michael Parsons, Robyn Schulkowsky, Amy Beal and Larry Polansky, the film is a contemplative, articulate exploration into the philosophy and politics embedded within Wolff’s composition, illustrated by his beautiful—and often, intentionally cryptic—scores, the interpretation of which ensures a collaboration between composer and performer and listener. Attentively conspiring with Wolff’s synergistic, variable art, the film’s own formal experimentation threads landscape as a key narrative element of its spacious cinematography.  

Ernesto Livon-Grosman

is a writer and filmmaker who teaches both subjects at Boston College. His recent films include MADI (2016) about the constructivist movement that started in Argentina and Uruguay during the mid 1940s and Brascó (2013): a history of the political and cultural life in Argentina over the last fifty years through the eyes of poet, publisher and artist, Miguel Brascó. He has written, edited and contributed to numerous books, essays, films and digital projects on the under-recognized work of various Latin American poets and filmmakers.

Writer/Director: Ernesto Livon-Grosman • Director of Photography: Robert Todd • Drone camera: Benjamin Shumlin
Sound: Bill Wirasnik • Editor: Ramiro Antico • Narrator: Susanna Bolle • Experimental film: Douglas Urbank
Original soundscapes: Fernando Kabusacki • Graphic Design: Marto Álvarez